Q28. A poet who imagines what ought to be rather than merely describing what is exemplifies Sidney's concept that the poet is a:

Here are the answers to the multiple-choice questions:

• Q28: A poet who imagines what ought to be rather than merely describing what is exemplifies Sidney's concept that the poet is a:
  • (C) Maker
• Q29: Dryden's praise of Chaucer suggests that writers achieve distinction with respect to other authors and their predecessors by means of:
  • (B) creatively refining inherited examples
• Q30: Dryden's comparison of Homer and Virgil suggests that epic greatness begins with:
  • (C) artistic invention
• Q31: Johnson's argument that Shakespeare's characters remain relevant across ages depends upon their basis in:
  • (C) common humanity
• Q32: By calling Shakespeare a "faithful mirror of manners and life," Johnson emphasizes Shakespeare's:
  • (B) realistic representation
• Q33: Wordsworth's theory of poetry would be best illustrated by a poem that presents:
  • (B) common experiences
• Q34: Wordsworth's belief that poetry should exalt taste and ameliorate affections relates to literature's:
  • (B) moral influence
• Q35: A critic who values a collection of poems yet rejects the theoretical claims attached to it would exemplify Coleridge's attitude toward:
  • (B) Wordsworth
• Q36: A critic who distinguishes between merely arranging materials and creatively transforming them would be describing Coleridge's views about:
  • (A) Fancy and Imagination
• Q37: A critic seeking to distinguish high poetry from inferior poetry would most likely employ Arnold's:
  • (B) touchstone method
• Q38: A critic who evaluates a poem by comparing it with passages from acknowledged past masters is applying Arnold's concept of the:
  • (B) touchstone method
• Q39: A literary work that conveys emotions not directly derived from the author's own experience exemplifies Eliot's distinction between:
  • (C) personal and artistic emotions
• Q40: A poet who transforms private experiences into an artistic form that transcends personal circumstances and limits exemplifies Eliot's concept of:
  • (A) impersonality

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